The album remained at the top spot in Canada for four straight weeks, the longest for an Eminem album since Recovery.For his second release of 2020 — which dropped, like its predecessor, without warning (although this time around, rumors abounded including one that claimed Phoebe Bridgers was a featured guest) — Em appears to be doing exactly what he wants to do, which in this case is making lots of groaner dad jokes. It became Eminem's 11th number-one album in Canada, while debuting atop the Canadian Albums Chart with 33,000 album-equivalent units. The album debuted at number-one in other countries.
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Things perk up with “Alfred’s Theme,” which nods to the album’s Hitchcockian premise by sampling “Funeral March of a Marionette” and making a painfully predictable play on the name “Hitchcock.” From there on out, the record seesaws between rapid-fire dirty puns and show-offy rhyme displays, with enough offhand COVID references to make sure this album, like everything he’s released, is easily traceable to the moment it came out.3), sees a 47.5 slide, but her latest album still sells more in the wake of her. The album gets off to an inauspicious start with “Black Magic,” a dreary murder ballad with the requisite Skylar Grey hook and the same tired splatter-movie shock lines. After all, there’s a difference between just not giving a fuck, which has been Em’s guiding principle from the start, and not having the proper quality control, and “Side B” is all over the map. Which doesn’t necessarily mean “Side B” is a good album.
The mercurial album centerpiece “Gnat”– easily the most modern-sounding production here — is an exception, as is the lively throwback “Killer,” whose indebtedness to prime-era 50 Cent would be obvious even without the explicit “In da Club” shoutout. But the hyperactive torrents of insult comedy get wearying over “Side B’s” 52 minutes, and the beats are rarely distinctive enough to keep things interesting. The album featured the singles 'Berzerk,' 'Rap God,' and 'Survival,' plus the chart-topping hit 'The Monster' with Rihanna.Is there really anything wrong with Eminem turning in an LP’s worth of dick jokes and pop-culture non-sequiturs? There are far worse fates for an aging MC, and it’s nice to hear him no longer taking himself so seriously, or grappling so feverishly with his place in the pop music firmament. After an intense period of recording, Eminem announced in August 2013 that his next solo album would be a nostalgically themed set of new material entitled The Marshall Mathers LP 2, which landed in early November.
After all, lobbing lyrical loogies at good taste from the safe space of his studio has always been his most reliable form of self-care. Decem.Like any middle-aged troublemaker, Eminem makes frequent reference to the threat of being cancelled though unlike his counterparts in stand-up comedy and newspaper opinion sections, he never seems particularly worried about the prospect. (Em’s old mentor also makes a rare appearance on the mic for “Guns Blazing,” yet spends most of his bars listlessly complaining about his ex-wife.)Eminem takes stock of his career, says he’s sorry to his daughter and goes off on Trump on ninth LP 'Revival' read the 'Rolling Stone' review. Got That Dope, with Eminem producing or co-producing most of the rest, along with assists from Dr.
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But at least it shows Em can still operate on that same level of bait-and-switch situational irony.We do get one wholehearted apology, however, on penultimate track “Zeus,” where he offers a mea culpa to Rihanna for an ugly leaked outtake on which he joked about her assault at the hands of Chris Brown. Is it funnier this time around? Not really. We get a slight glimpse of that here when he attempts to atone for his controversial crack about the 2017 Ariana Grande concert massacre on his last album (“I know nothing is funny ‘bout the Manchester bombing,” he acknowledges), and then immediately makes a joke about the Boston Marathon bombing.
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